Among the works that paved the way for Belgian Symbolism, the Sphinx by Charles Van der Stappen holds a very important place. Inspired by a Florentine muse, with the addition of a chimera rising from her hair and a dragon curling around the base, the sculpture avoids telling a story outright...

With just one month left before the exhibition ends, now is the perfect moment to (re)discover the exhibition Echoes of Dreams, which has attracted a wide audience since its opening. We would like to once again extend our warmest thanks to the partners who made this possible: the Brussels-Capital...

Painted in 1893, A Demoniac is one of the major works of Belgian Symbolism, in which Middeleer explores the ambiguity of the feminine figure. In a field of red anthuriums, a woman dressed in black pauses her reading and looks up, her face softly illuminated. Everything appears peaceful, almost...

In 1883, Fernand Khnopff establishes himself as one the leading figures of the emerging symbolism with After Flaubert. The temptation of Saint Anthony. Shown in the first Salon des XX, nearby The temptation of Saint Anthony by Félicien Rops, this work shows a striking contrast between the two...

The 19th century was not only an age of progress and reason. Behind the image of a “century of engineers” lies a thirst for mystery, hidden harmony, and alternative spirituality. Fascinated by secret correspondences, fin-de-siècle artists turned to esotericism, Wagnerism, alchemy, and mystery cults...

From 29 August 2025, the Maison Hannon presents Echoes of Dreams. Symbolism in Brussels, a major exhibition bringing together 80 exceptional works: paintings, drawings, vases, sculptures and photographs. Conceived as an inner journey, it explores the tensions, hopes and dreams of a generation in...

The Maison Hannon is pleased to host the Centre international pour l’étude du XIX e siècle on its premises this spring. With over forty years of activity behind it, the Centre now takes root in Saint-Gilles, an environment in tune with its historical and artistic focus. This marks the beginning of a...

During the design of the Maison Hannon in 1904–1905, the owners installed a plaster reproduction of the Winged Victory of Samothrace, the iconic Greek sculpture housed in the Louvre. The sculpture is in the greenhouse and overlooks the large drawing room where the fruit is harvested at the end of...

Édouard Hannon and Marie Debard commissioned Émile Gallé to design the furnishings for their home, including their crystal tableware. This liqueur decanter is identical to the one owned by the couple and used in the grand drawing room. It is distinguished by its chrysanthemum motifs in marquetry of...

On the first floor of the Maison Hannon, discover the building’s eventful history, from its abandonment to its gradual restoration. Learn how this private residence, originally conceived as a total work of art, became a symbol of the heritage of Saint-Gilles. Who were the key players, institutions...