From 29 August 2025, the Maison Hannon presents Echoes of Dreams. Symbolism in Brussels, a major exhibition bringing together 80 exceptional works: paintings, drawings, vases, sculptures and photographs. Conceived as an inner journey, it explores the tensions, hopes and dreams of a generation in...

The Maison Hannon is pleased to host the Centre international pour l’étude du XIX e siècle on its premises this spring. With over forty years of activity behind it, the Centre now takes root in Saint-Gilles, an environment in tune with its historical and artistic focus. This marks the beginning of a...

During the design of the Maison Hannon in 1904–1905, the owners installed a plaster reproduction of the Winged Victory of Samothrace, the iconic Greek sculpture housed in the Louvre. The sculpture is in the greenhouse and overlooks the large drawing room where the fruit is harvested at the end of...

Édouard Hannon and Marie Debard commissioned Émile Gallé to design the furnishings for their home, including their crystal tableware. This liqueur decanter is identical to the one owned by the couple and used in the grand drawing room. It is distinguished by its chrysanthemum motifs in marquetry of...

On the first floor of the Maison Hannon, discover the building’s eventful history, from its abandonment to its gradual restoration. Learn how this private residence, originally conceived as a total work of art, became a symbol of the heritage of Saint-Gilles. Who were the key players, institutions...

This tie pin, a personal piece of jewelry belonging to Henry van de Velde, reflects his keen eye for detail and his dedication to refined elegance. It features his monogram, a signature motif that recurs throughout his work. Van de Velde often integrated his interlaced initials into his creations...

In 1893, Gustave Serrurier exhibits a ‘cabinet de travail’ at the Salon de la Libre Esthétique, attracting the attention of the public and the press. In 1895, he presents the ‘Chambre d’Artisan’ at the Cercle Artistique, a very similar armchair to the one that was included is now in the Ghent Design...

Joining the Friends of the Maison Hannon means becoming part of a passionate community of Art Nouveau enthusiasts, collectors, and heritage supporters. As a member, you’ll enjoy exclusive benefits while directly contributing to the preservation and enrichment of our collections. We rely on the...

This cover belongs to the catalogue for the penultimate exhibition of the Cercle Artistique des XX. After ten years of activity, internal and interpersonal conflicts led to the dissolution of the salon in 1893. However, it was reborn the following year, in 1894, as La Libre Esthétique. The cover is...

Paul Hankar maintains close ties with the Wolfers family. After collaborating at the 1897 international exhibition, he designs a family estate for the brothers on the outskirts of Brussels, situated between La Hulpe and Overijse (which no longer exists). This unique seat, on loan from the Design...